My study of Western-style music has only been framed in listening to the classical music records of Mr. Khiem brought back from France, in devouring the lessons contained in the LAVIGNAC music book I bought. been in Hanoi for a long time, now it’s a book on the father’s chair. In groping, self-taught guitar and harmonizing every night with a Western band in the troupe. I had memorized many orchestral pieces, either semi-classical or very popular dance music. Regarding traditional music, in addition to being nourished by Xam singing groups in Bo Ho Street, by Am Chung’s zither music in Hang Dau Street during her childhood years, like singing quan ho in Nha Nam when I was a brother. amorous farmer… now I am further nourished by the songs in the Cai Luong music and by the local folk music. I am grateful for the days when I carried DUC HUY everywhere in the country and had the opportunity to collect most of the traditional folk songs from which to compose new folk songs. My NHAC College of Sound, those are the trips to the people by this troubadour.
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